The Poncas had enough to deal with before the pale faces of
George Catlin, an artist who visited the Poncas around 1832, gives a deep account of the chief that illustrates him as an intellectual leader of a civil nation rather than a savage director of a barbaric, feral population. Describing the chief “who was wrapped in a buffalo-robe” he uses imagery that provokes a comparison to kings wrapped in royal garb. With descriptive language like “noble” and “dignified” he civilizes the man. After humanizing this man, who at the time, was thought by most to be bestial, Catlin then depicts his suffering and the suffering of his tribe with great sympathy. Catlin cries out and declares the “poor, noble chief, who was equal to and worthy of a greater empire” instead “overlook[s] the little cluster of his wigwams mingled among trees, and, like Caius Marius weeping over the ruins of Carthage, shed tears”.
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